"This is, once again, industrial music for its own sake, Lisa Moore belching out the extremes of the piano’s textural, timbral potential, as if presaging the imminence of the atomic age...Moore turns the duet between sampler and Steinway into an intriguing dialectic. While the former produces a tightly-structured temporal space, she employs the latter to reclaim a more personal psychic space with agogic flexibility and liberal use of rubato. Plucked, scratched piano strings evoke the brittleness of bone, and electric sonic distortion can point either to a dystopic future or, more likely, to the lost innocence of early modernity."
by Rob Wendt (I Care If You Listen www.icareifyoulisten.com/)

"But the force and inventiveness of the music carries the day, and the performance, by the extraordinary pianist Lisa Moore and the splendid So Quartet, is first-rate."
by Josh Kosman (The San Francisco Chronicle)

"Ms. Moore plays spiritedly and the rhythmic versus a-rhythmic elements balance nicely in her hands. She doubles on a harmonium in the later movements and gives out with a kind of earthy chorale folksiness."
by Grego Gapplegate Edwards (classicalmodernmusic.blogspot.com)

"Pianist Lisa Moore performs with great technique and a moody sensitivity when called for..."
by Daniel Coombs, (contemporary clarinet guy) blog for Amazon (5 stars!)

"Moore brings to bear the whole of her own varied experience. In her undeniable chops we can hear the rigid discipline that came with her classical training, while the avant-gardist and the jazzer in her can be heard in her willingness to leap into the fray with unconventional harmonies and still bring an organic flow to even the most challenging piece."
See the whole review at Limewire

"De Profundis sounds as revelatory as ever in pianist Lisa Moore's brilliant new recording..."Dreadful Memories" in particular, is soft edged and tender enough to elicit tears..." San Francisco Chronicle

"Moore tore into Frederic Rzewski's "Winnsboro Cotton Mill Blues" with potency and abandon, shaping the piece as effectively in concert as on her recent disc..." Musical America.com

"Lisa Moore being a woman, her recitation moves Wilde’s words into a slightly more abstract realm than that of Rweski’s…LM’s performance is more lyrical overall…I quickly became fond of Moore’s De Profundis. LM’s performances embrace the written-improvisatory feel of these pieces, though she is more introspective…This is a very enjoyable disc of important repertoire; highly recommended." Fanfare Magazine

"...this disc contains powerfully intense performances...Moore's playing reveals a total and implicit understanding of its purposes..." MCA Music Forum

"...among my favourite recordings...Moore's disc sits very easily in their company, indeed it combines the best of approaches...there is a greater rhythmic tension....the piano sound is rich and natural..." ABC Radio 24 Hours

"...anthology of recent Australian piano music...she plays with conviction and enthusiasm.." Sydney Morning Herald

"wed, a five-minute piece played with an ideal and elusive combination of delicacy and incisiveness by BOAC piano goddess Lisa Moore, is the best thing about this release. There is a gentle discord in everything here: gentle rhythmic displacements and polyrhythms; notes gently added to otherwise triadic, pop-laced chord progressions; gentle dislocations of register within a restricted frame." Sequenza21

“Wendy Sutter’s cello and Lisa Moore”s piano blend exceptionally well and their deep sonority on ‘Eugene’ thrills.” www.allaboutjazz.com

"...Pereira has a fine partner in Lisa Moore;her playing is throughout flawless and their view of both works is in perfect accord..." the Strad